Showing posts with label flying geese. Show all posts
Showing posts with label flying geese. Show all posts

Tuesday, 14 August 2018

Five Blocks for the Splendid Sampler 2

Yes, you read that right.  I have five blocks to share.  I've been away on holiday, a lovely cruise around the western Mediterranean Sea, with my eldest daughter. It was a very relaxing time with a lot of our time spent on the sunbeds, mostly in the shade, just chilling out,  I did take some sewing with me - a bit of embroidery that will be inserted into a patchwork bag.  I've nearly finished the panels and will start on putting the bag together soon.  I've got lots of time resting up at the moment as I've managed to fracture a bit of arthritic bone in the top of my foot.  Rest is required and I have a strappy boot to wear when I go out - no plaster required, thank goodness.  Anyway here are the blocks, one at a time.

Splendid Sampler 2 - Balance by Wenche Wolff Hatling


Love this cute block.  Mine is slightly different from the original design.  I thought his trunk looked empty so added a kite. Also my elephant is actually balanced on the tub whereas the original has him floating above it for some reason.  I chose the checked fabric because it reminded me of Elmer the Elephant and I chose to do separate plain ears instead of embroidered ones.  I used fusible applique and sewed it onto the backing by machine, using a blanket stitch.  The background is yellow but doesn't show up well in the photo.

Time to make: 2 1/2 hours  No. of pieces: 6

Splendid Sampler 2 - Point Taken by Susan Ache



The title of this one relates to the fact that the star points are chopped off, something we try not to do when sewing stars. It took me ages to choose just the right fabrics for this one and I'm pleased with my selection..  My little added extra is the line of sttiching around the central squares.  I thought the block looked naked without it.

Time to make: 3 1/2 hours  No. of pieces: 32

Splendid Sampler 2 - Rose and Dot by Lori Kennedy


This was a fairly simple block to put together. I used fusible applique and applied it to the backing by machine using a small blanket stitch. The extra purple and green hand stitching is my own addition to the design.

Time to make: 2 1/2 hours  No. of pieces: 7

Splendid Sampler 2 - My Flock by Brenda Ratliff


I decided to paper piece the central block of this one instead of the more traditional way of making flying geese.  I didn't want to risk stitching off those lovely sharp points or sewing them together wonky which is so easy to do.  My head was very worried about the block being off centre as I do like symmetry but I went with it this time.  But it looked wrong.  That right hand space looked empty and was just crying out to be filled, so I added a simple scroll in hand stitching.  Much more pleasing to my eye now.

Time to make: 2 1/2 hours  No. of pieces: 14

Splendid Sampler 2 - Flowering Tree by Amy Friend


This block was paper-pieced.  I'm in two minds about paper piecing.  It does use up a lot of fabric but it does enable you to make lovely sharp, accurate points which would be almost impossible in normal piecing. As usual, the rebel in me had to add something to the original design and I've added a bit of stitching to round off the sharp angles.  I wish I'd chosen a green fabric for the bottom two triangles as it would then look like a tree on the grass with sky behind it, but I've only just seen that now it's in front of me on the screen. 

Time to make: 3 1/2 hours  No. of pieces: 20

That's all for now.  I'm looking forward to Thursday to see what the new block will be.  If there's no stitching on it you can bet that I'll find a way of adding some.







Wednesday, 15 January 2014

Cup of Tea and a Catch-Up!

It's so long since I last blogged, I hardly know where to begin, so I've made myself a large mug of tea and will just get on with it.  Please excuse me if it comes out in a bit of a ramble as it's all unrehearsed and I'll write it as I think of it.

My last post was the November Round-up and I was busily making a crocheted baby blanket for my daughter to gift to a friend.  This was completed and posted off up to Yorkshire in time for Christmas.



I then had to turn my attention to finishing the hand-quilting on my grandson's Disappearing Nine-Patch quilt and getting the binding on so I could gift it to him on the big day.  It very nearly didn't get finished as my eldest daughter asked me to do some invigialation for exams at the school where she is Vice Principal, so instead of spending two weeks leisurely stitching away I was spending my time 'watching paint dry'.  Well, that's what it felt like.  I just had to watch a room full of students beavering away at their exams, hand out spare pens and more paper, and give a bit of TLC to a few nervous pupils.  I don't think I've ever been so bored in all my life.  No reading, talking, writing or anything, just watching.  I spent my time making lists in my head of everything that needed to be done for Christmas but promptly forgot them as I couldn't write them down.  The one saving grace is that I will get paid for it at the end of January, so a bit of extra cash to spend on some fabric!

Harry's quilt did get quilted and bound, washed on Christmas Eve, dried overnight and wrapped on Christmas morning whilst the turkey was in the oven.  I asked, in a previous blog post, for names for this quilt and Kelly over at My Quilt Infatuation suggested 'Boys at Work' as the orange reminded her of construction workers.  I changed it slightly to be 'Man at Work' to reflect the grown-up nature of my nine year old grandson.   It's made from old shirts, orange fabric from a charity shop, backed with a fleece throw from Ikea, and bound with strips cut from an old bed valance.
Needless to say, he absolutely loves it and it's getting loads of cuddly time on the sofa in the chilly weather this month.




Christmas came and went in a flurry of activity.  Tree and decorations were put up on Christmas Eve, gifts were wrapped on the same day whilst watching 'It's a Wonderful Life' and contingency plans were made for cooking the turkey in case we were without power due to the bad weather.  I have a gas hob with an electric oven so would have been well and truly 'stuffed' if I had had a power cut.  Youngest daughter has a gas oven and would have cooked the turkey and potatoes for me and transported it over, but we were lucky and didn't have to use the back-up plan.  Two streets away from me weren't so lucky and were without power for four days. I went to Midnight Mass, bed at 2am and up at 6am to put turkey in oven.  Lunch at 1pm for nine went off well, pressies opened and choccies eaten whilst watching Downton Abbey. The post-Christmas Turkey soup was made and was a huge success on Boxing Day.  The tree and decorations came down the very next day, as I was getting too stressed out trying to keep Molly (daughter's 10mth old puppy) form eating it all.

Now that we're into January I've started sewing again.  I've made two blocks for the Farmer's Wife Sampler quilt.

#1 - Attic Windows

#29 - Economy

I had got a couple of week's behind with the Quilty Fun Sew Along but I'm all caught up now.

Week 5 - Flying Geese

Week 6 - Mini Chevrons


Week 7 - Coffee Mugs

Week 8 - Trees


Week 9 - Quarter Square Triangles

I'm continuing to hand quilt my large Starry Sampler quilt in the evenings.  At the rate I'm going it will take me all year so I really must overcome my reluctance and learn to FMQ on my machine or I will never get another quilt finished this year.  So my next job is to review 2013's New Year's Goals and set new ones for 2014, but that will have to wait for another post.  My tea's getting cold.


Friday, 1 November 2013

Flower Basket and October Round-up

There are several basket blocks in the Farmer's Wife Sampler Quilt book, but none of them appealed to me.  Two of them have appliqued handles, so that's a 'no' from me (I know my limitations) and the grape basket is made up of 5 x 5 squares which makes it difficult to rotary cut as I'm not using templates.  So I decided to draft out my own basket.  I drew out a 4 x 4 block onto squared paper and took elements from other basket blocks I've seen.  After many attempts I came up with this.


Actuallly, this is how I do all my blocks.  Every block is copied from the book onto my squared paper pad and I work out the measurements and method of working for each one.  My scale is 1 tiny square = 1/2 inch and then I add on the 1/4 inch seam allowance.  Some of the blocks in the book are a bit too complicated to do it with this method, but I'm only making 50 blocks so I'm picking out the easier ones.


And here it is.  It actually took me less time to cut and piece this than it did to draft it out, but it was worth it in the end.

I've finished the big stitch quilting on 'Pretty in Pink' and only need to finish the hand sewing on the binding.
I've also made the blocks for the boy version of this one from old shirts so that will get put together this weekend and then will be ready for some hand quilting.

October was about getting Pretty in Pink pieced together but I've made a FWS block each week as well, so here's the collage for October.


Friday, 18 October 2013

Back to the FWQ

I've felt somewhat bereft of late as I haven't completed any blocks for my Farmer's Wife Quilt, but now that I've finished piecing the 'Pretty in Pink' quilt top, and the hand quilting on it is underway during the evenings, I managed to squeeze in just one block this week.

#105 Wild Goose Chase
  
The rest of this past week has been taken up with de-boning some old shirts and cutting them into squares so I can make a start on my grandson's Disappearing Nine-Patch.  Here it is, all cut out.



Friday, 19 July 2013

More FWQ blocks

I'm just loving our taste of Summer at the moment.  Temperatures in the 30's; so unusual for us in UK, but it is taking a toll on the sewing front.  It just slows everything down and I'm finding I'm making more mistakes, like sewing seams together inside out.  I sew my seams for these blocks using a 1.5 stitch length so the ends don't come unravelled, but it means I have to unpick very, very carefully using a pin one stitch at a time.  I've managed to make five blocks this week, and nothing else.

#21  Contrary Wife



#25 - Cups and Saucers


#26 - Cut Glass Dish


#31 - Evening Star


#34 - Flock


Now my daughter has broken up from school for the summer I won't be looking after Molly all the time, so I have high hopes of getting more done now.






Friday, 17 May 2013

Five Star Finished, Giveaway Winnings, and a Trip to London.

This could turn out to be quite a lengthy post, so if you want to read it all I suggest that you make yourself a nice cup of tea (or your favourite beverage of choice), and pull up a comfy chair.  That's what I've done anyway, so here goes.
Part 1 is the finish, Part 2 is the winnings, and Part 3 (very long) is about the history of my love affair with London and my most  recent trip there.  Please don't feel you have to read it all.  I won't be offended if you skip most of it.  Honest.


Part 1.
I've finally finished this mini quilt.  I'm not very inventive when it comes to naming quilts so this one is just called "Five Star."


I saw the pattern on Miss Rosie's Quilt Co. and it's called Three Barns.  There must be a story behind that title, but I don't know what it is. It doesn't resemble a barn (or even three) in any shape or form, so I think my renaming of it is completely in order. 

I've re-sized the pattern to 20" square.  I do this by drawing it out to scale on squared paper first, then calculating units required, materials needed and  method of piecing.  I actually love doing all the maths and working out the best way to do things.  This quilt is made up of squares, rectangles and Flying Geese units.

I don't know what the patterned fabrics are as they were scraps that were given to me, but the dark grey is taken from a cotton shirt from the charity shop.  The backing is just plain off-white sheeting and the buttons are from my button box.

I hand quilted it using Gutermann Sulky in grey.  It is a viscose thread with a nice silky finish, but a devil to work with as it breaks so easily.  I don't think I will use it again.  I just did straight line quilting on this.  I love the way the pattern shows up on the plain back.



My stitches aren't all even and I haven't come through to the back on a number on stitches, but I find the hand stitching very relaxing to do of an evening when  I'm watching TV.

Part 2.

I had great fun taking part in the Giveaway Day organised by Sew, Mama, Sew!  Luckily, this 'day' lasted all week as there were so many blogs to visit. I couldn't possibly visit all of the blogs in one day, so I decided to give myself a limited amount of time each day to visit  
them.  I loved reading all the blog posts and spent quite a bit of time on some of them, going back over older posts as they were so interesting.  Quite a few have been added to my blog reading list now.  I was lucky enough to win one of the giveaways I applied for from El Petit Taller and in the post this morning I received a package containing these 2 half yards of deliciously bright fabrics by Me and My Sisters, perfect for a summery project.



When visiting the sites you have to leave a comment and for this one Irina asked what was your favourite city.  Mine is London and I visit as often as I can.  I only live 70 miles away so it's nice and close.  I prefer to go by train as it only takes just over the hour, and I don't have to worry about driving or parking or 'congestion charge'.    I went to London last Saturday with my daughter as she had bought us tickets to see a play, 'The Hothouse' by Harold Pinter.  Read on to Part 3 if you want to know more about this trip.

Part 3.
I'm giving you fair warning that this part is very wordy and, later, picture heavy, so here goes.

My love affair with London started way back in the fifties when I was a child.  My dad was born there, and about twice a year we would go and visit his mother who lived in Bethnal Green in the East End. The journey used to take for ever, nearly 3 hours,  as there were no motorways back then, and the old cars dad had only seemed to go at 30 mph tops..  I used to get terribly car sick so we were always stopping for me to throw up!  But I still loved going.  My Nanny was a sweet little old lady who had had a hard life but she had that indomitable spirit of a true Cockney, and I loved to visit and listen to her tales of times gone by.  We would often go for a walk to visit aunts and uncles, and take in a few sites on the way.   I remember walking to Petticoat Lane market, going down Brick Lane, eating at a Pie and Mash shop and being introduced to Jellied Eels.  Another highlight was being sent down the road to the corner shop to get a half pint of fresh milk for the cups of tea and being told to say "Rose sent me".  This seemed to be the code for not paying for anything, and being given a sweet out of one of the many large jars that lined the walls of the shop.  In later life I found out that what it really meant was "I've got my family visiting from 'posh' parts who don't like sterilised milk, and I'll pay you on Monday."  The visit would always end with a detour through central London to see the 'lights' of Picadilly Circus, and in December, the Christmas lights down Regent and Oxford Street.

On to the Swinging Sixties and my teenage years.  I discovered that I could get on a train in Winchester and be in the capital in an hour.  I used to save my wages (15/3d, about 77p today) from my Saturday job in Woolworth's so when school holidays came I would go up to 'the smoke' for the day, and roam around Carnaby Street, King's Road and Kensington, shopping in Biba's,  and Mary Quant's shop.  I still have a suede tasselled  waiscoat that I bought in those days.  I would also take in the fabric and haberdashery departments of Liberty's in Regent Street and all the big department stores in Oxford Street.  My school friends soon realised that I knew my way round London and so would ask me to take them, but this usually meant taking an unofficial day off school so I'll gloss over that part!

During the Seventies I was a young married mum and lived some of that time in Germany, but returning to England at the beginning of the Eighties I found the ideal opportunity to get reacquainted with the capital.  My husband was a voluntary athletic official and attended many events at Crystal Palace and other venues around London.  My two young daughters and I would travel in the car to his venue, and then, armed with my favourite book - "London for Free", hop on a bus or the Tube and seek out many museums, art galleries, monuments and other wonderful places of interest, all for the cost of the bus fare. We gradually worked our way through that book over the years, and I wish I still had it as there were such gems in there that I'm sure I would never have found.  Places like the Horniman Museum with it's cultural and natural history collections,  John Soames House in Lincoln's Inn where you can see Hogarth's Rake Progress, the Museum of Childhood in Bethnall Green with it's delightful collection of Doll's Houses, the Geffrye Museum in Hoxton with  it's wonderful displays of British interiors,the Hunterian Museum in Lincoln's Inn with it's gruesome medical specimens and surgical instruments, and many, many more.  Oh, I almost forgot, the London Sewing Machine Museum on Balham High Street, with it's hundred upon hundred of vintage and antique machines.
All for FREE!

We always arranged to meet up in Covent Garden around tea-time.  As this was an unpredictable time we needed something to keep us busy whilst we waited, and the street entertainment certainly did that, again for free.  On the way there we would stop at the booth in Leicester Square that sold last-minute theatre tickets and buy cheap tickets for an evening performance in one of the many theatres.  We didn't really care what we saw, but we saw some really great shows and plays.

Is it any wonder, with all this rich, cultural heritage that I dragged my girls around that one of them studied History at university, and the other studied Drama.  My youngest daughter now takes great delight in introducing the streets of London to her two youngsters, and my eldest daughter loves taking groups of her students on history visits to the capital.

And so, at last to my latest visit, and some PHOTOS!  I went with my eldest daughter, Catherine, on the train.  We alighted at Waterloo, and camera in hand, I warned her that I wanted to record our walk in photos.  She advised me not to try to take any whilst I was crossing the road, and to watch out for lamp posts (I once walked smack into one in Naples, broke my glasses and gave myself a black-eye!).  My first one I wanted to be of the marvellous entrance to the station, but it was covered in scaffolding and board so that was a no-no, but opposite it was a lovely site.  A long, unbroken row of Boris's Bikes, introduced by Boris Johnson, Mayor of London, to help reduce pollution on the roads of London.  These racks are usually empty during the week, but as today was Saturday it provided my first photo opportunity.


I walked this way only a month or so ago, but I cant remember seeing this striking sculpture of Nelson Mandela.  I must have had my eyes closed.  Glad I saw it this time.



We made our way to the South Bank and stopped off at Wagamama's for an early lunch.  I had a most delicious curry of chicken and vegetables with sticky rice and a side order of endamame beans.



Going over Hungerford Bridge I spied this strange little island which seems to be the final resting place for dead skate boards.


Looking across to the Victoria Embankment is the mis-named Cleopatra's Needle, a pair to the one in New York's Central Park, flanked by two faux Egyptian sphynxes.  Mis-named because this obelisk has no connection with Cleopatra, and was already a thousand year's old when she was Queen of the Nile. The sphynxes were installed the wrong way round and so appear to be gazing up at the needle, instead of looking outwards and guarding it.  I used to think this was so very tall as a child, but now it is dwarfed by it's surroundings.

 

Through Charing Cross and a view of the Victorian cross that is a replacement of the original Eleanor Cross that previously stood nearby.  Charing Cross was one of 12 "Eleanor Crosses" erected by a disconsolate Edward I when his wife Queen Eleanor of Castile died in 1290. 

From Charing Cross we walked over to Trafalgar Square, but it was very difficult to get a photo of it because the Square is now used as a venue for open-air events.  Last time it was a Russian festival, and this time it was a basketball event.  There are hoardings all around the square and you can only enter in certain places, with burly guards guarding the  way.  The fountain is still accessible but you can't stand far enough away from it to get a good photo.  I took this photo of Nelson gazing out, through his good eye, at the ever changing skyline, with one lonely lion guarding him, from across the road.  Bring back the wide open space and the pigeons, please Boris.


We had a half hour to spare before we needed to go to the theatre so we took a walk down Whitehall.  coming towards us was a London bus, but not any old one.  This is one of the newly-renovated Routemaster buses that have have been re-introduced onto the roads of central London.  The original Routemasters, with the hop on/off back platform, driver's cab and ticket collector were all phased out and replaced with more modern driver controlled, front entrance buses, but good old Boris, together with London Transport and contributions from the British taxpayer has seen sense and re-introduced a few of these iconic symbols of London.  It was a lovely sight to see it back on the road.


We passed by Scotland Yard, centre for all police activity in the centre of London.



Passed this memorial honouring the role of women in World War Two.  It was unveiled by the Queen in 2005.


Look at all this security.  One of the Horseguards outside the Horseguards Museum.


Another form of security.


Armed police, iron gates, bollards, railings, all guarding this place


official residence and office of the Prime Minister.

Turned round and walked back up Whitehall passing this stall selling souvenirs


The theatre was at the top of Whitehall so we went in and had a drink before taking our seats (tea for me, a glass of something bubbly for Catherine).  The play was a black comedy, very funny, brilliantly written by Pinter (I can see why he got the Nobel Prize for Literature) and superbly acted.  A wonderful experience. Nothing to do with the play, but it rather amused me was the extremely squeaky doors in the Ladies cloakroom.  I think they were auditioning for the part of "Squeaking Door" in the next ghostly radio play.

After the play we made our way round Trafalgar Square to the National Portrait Gallery and spent a pleasant hour gazing at the famous people from Tudor times right up  to the present.  The recent one of Kate, Prince Williams's wife,  was getting a lot of attention.  I thought it looked like she had the Omen shining out of her.  My favourite was the one of Dame Judi Dench.  It is a full length one and she looks so serene, and beautiful.


Don't worry, this isn't my image . You can't take photos in the gallery, so this is a downloaded image.

By this time we were in need of a cup of tea again, so crossed to the other side of Trafalgar Square and went in the cafe in the crypt of St. Martin in the Fields.


 London is very grey at the moment and this splash of colour as we cut through Charing Cross station on our way back was very welcome.


Back over Hungerford Bridge and a view of the latest change to the London skyline.  That pointy building is nicknamed "The Shard".  It is now open and you can, for the princely sum of £25.00 go up to the viewing platform for a wondrous look across London.  I'm saving that experience for a sunny day.



Further along the bridge I took this shot of St. Paul's Cathedral.  Not it's best angle, and not in good light.  you can see how cloudy and grey it was.



This is where my camera battery gave out and I hadn't taken a spare one with me, so you can't see the oysters my daughter ate in the little food market by the Royal Festival Hall, or the scrumptious apple and cinnamon crepe that I had.  Never mind, I think you've seen enough.

I hope you have enjoyed my ramblings.  If you have made it right up until the ending here you jolly well deserve a medal.  What stamina you must have!  I'd love to know how many people survived this journey, so please leave me a comment if you have enjoyed it.







Thursday, 21 March 2013

Starbright

I have been so busy with non-sewing stuff this week, but if you just want to see what I did achieve in the sewing line skip through this lot to the end of the post.  I won't be offended :)

On Saturday I had a trip to London with my eldest daughter to see Judy Dench in a new play, Peter and Alice.  We bought the tickets about nine months ago and so it's been a long time waiting, but well worth the wait.  Judy does not disappoint.  I love walking around London looking at the fabulous buildings, so instead of using the Tube we walked from Waterloo over Hungerford Bridge, past Charing Cross and up to Covent Garden for a quick browse and some lunch.  Then on to the theatre near Leicester Square.  After the play we walked down to Trafalgar Square and went in the National Gallery because we love to look at Van Gogh's Sunflowers and his Chair, took in a few Monet's and Renoir's and marvelled at one of my favourites, Turner's The Fighting Temeraire.  Back to Waterloo via the South Bank food market, where we had oysters and bought some gorgeous Polish pastries to eat on the train going home.  A great day.

On Tuesday I went to Portsmouth for the day to the Spring Meeting of Hampshire Women's Institute.  The key speaker in the afternoon was Clarissa Dickson-Wright, a celebrity cook and TV personality.  Another enjoyable day.

I've been trying to make life easier for Dad now he is getting old.  He is extremely hard of hearing now, even with his deaf aids, so I arranged for the Sensory and Occupational Assessors to come and see what help he needs.  I was amazed at what is available.  I spent most of today installing two new amplified telephones, one in the living room and one in his bedroom, with an extra loud extension bell in the kitchen.  He also needs two new extra loud smoke alarms, with a vibrating alarm to go under his pillow for when he's in bed and not wearing his hearing aids.. He's also going to get a portable Loop system for the TV so he doesn't have to have it turned up so loud and annoy the neighbours.  I've also been seeing about getting the bathroom made into a Wet Room as he finds getting in and out of the bath a bit of a job.  His stair lift needs replacing as the present one doesn't meet the newer regulations.  He's getting a motorised scooter to help him get around easier, so he needs a ramp to get over the step into the house, and a hoist to get it in the back of the car.  He's also going to have a Rollator for places he can't use the scooter.  All of this has required surveys, measuring, estimates, phone calls, form-filling, ordering, trips to various retailers to try out things, and waiting for people who say they are coming, and then don't.  The Wet room is going to take about 10 days to install so I shall have to keep Dad busy and out of the way whilst that takes place.

I was really getting serious sewing withdrawal symptoms after all these goings-on.  I just had to do some sewing, so when I saw this square on  Heartspun Quilts this evening I quickly drafted it out on squared paper, cut it out and pieced it.  About an hour and a half from start to finish.  Pam doesn't say what this square is called so I've named it Starbright.


Ooops, that looks a bit blurry to me.  Might try to take a better picture tomorrow in daylight.

This will fit in so nicely with all of the other starry blocks.  Fabric is from the Shabby Chic's Chambray Rose collection, Clermont Farm by Moda, and Kona Snow.